STORY-TELLING: LET YOUR DIALOGUE DOES THE TALKING
Dialogue
tags are not the place to get creative if you want to draw your reader in.
Leave that to the dialogue itself.
I’ve never met a writer,
whether working on an epic fantasy novel or a true-life account of a harrowing
experience, who hasn’t wanted her reader to get completely lost in the words on
the page. While there are many things that separate fact from fiction, there’s
one thing that all writers ignore at their peril: a good, hard, honest
self-edit.
Let’s talk dialogue.
Fiction writers learn quickly that there’s nothing as terrible as stiff,
unrealistic dialogue to pull a reader out of the story. And while non-fiction
writers can’t falsify direct quotes, there’s plenty they can do to ensure the
flow is natural. The first place to start is by cutting out as many dialogue
tags as you can.
You want the reader to
read right over those tags as if they’re not there. Dialogue tags exist for
only one purpose: to identify for the reader who is speaking in your
manuscript. That’s it. You want the focus on the dialogue itself. You don’t
want readers to get distracted by the tag.
This is one of the most
common mistakes new writers make. They think words like asked or said
are boring or repetitive, so they try to use more interesting alternatives.
Trust me: dialogue tags
are not the place to get fancy. Dialogue tags should melt into the background. Said
and asked are all you need. Resist the urge to use queried
instead of asked, or exclaimed instead of said. All those
flourishes will do is tell readers you’re a newbie.
If you’re writing
creative non-fiction, you get to have some fun and create dialogue in your
story. It doesn’t have to be verbatim, as long as it’s true to your telling of
the story.
There’s also the tendency
to use the dreaded –ly adverb in your dialogue tag.
Consider this: Dialogue
tags are not the place to convey emotion – the dialogue itself should do that.
If you think you need an adverb to convey emotion, your scene needs to be
written so the character’s dialogue and actions more clearly express that
emotion. It’s the difference between showing and telling.
“I’ve
had enough,” Simon said angrily.
This simply tells us that
Simon is angry. But that emotion isn’t demonstrated through his actions or the
dialogue itself.
Remember what we said
earlier about dialogue tags: Readers read right over them. Their only purpose
is to tell the reader who is speaking.
So if you want the reader
to feel Simon’s anger, you have to show them through the dialogue itself.
Here’s how you might do it:
“You
disgust me. This conversation is over,” Simon said.
Here, Simon’s words are
angry, so you don’t need to rely on the adverb angrily to convey that. The
dialogue is stronger and the emotion is clear.
You could also include
some brief actions or descriptions to eliminate the adverb and convey the
character’s emotion.
For example:
Simon
shoved back his chair and slammed his fist on the table. “I’ve had enough,” he
said, clenching his jaw. “This discussion is over.”
The actions and
description here help show how Simon feels, so we can easily eliminate the word
angrily from that dialogue tag.
Whether you’re writing
fiction or non-fiction, you are telling a story. Dialogue is one of the most
powerful elements in storytelling.
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